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Dave Brubeck - Jazz Goes To College
Die MOV Ausgabe ist solide, genau wie die
Musik auch.
Aber völlig vom Hocker haut mich diese Produktion auch beim zweiten
Durchgang "noch" nicht.
Grüße
bob
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Meine Frau kocht grade Marmelade ein...
Also läuft der Dreher und folgende Scheibe dreht ihre Runden:
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[Blockierte Grafik: http://imagescdn.juno.co.uk/full/CS657363-01A-BIG.jpg]
May 26 2017
On July 14, saxophonist, flutist, composer, and jazz mystic Charles Lloyd will release his latest Blue Note offering, Passin’ Thru, a passionate live recording that marks the 10th anniversary of his acclaimed and enduring New Quartet featuring pianist Jason Moran, bassist Reuben Rogers, and drummer Eric Harland, a simpatico unit that teems with intuition, contemplation and playfulness. The album is a dynamic seven-song collection of Lloyd compositions old and new including the swinging and gleeful title track “Passin’ Thru” (first recorded in 1963 when Lloyd was a member of the Chico Hamilton Quintet), which is available today to download or stream.
Lloyd formed his first quartet in 1965 featuring soon-to-be jazz stars pianist Keith Jarrett, bassist Cecil McBee and drummer Jack DeJohnette. Throughout his career he has returned to the quartet format, but he considers his New Quartet formed a decade ago “a landmark group nonpareil.” He elaborates: “It’s a small planet, and we are just passing through on our journey to One. Every now and then there are important intersections. This quartet with Jason, Reuben and Eric coalesced very organically in April 2007. From the notes of our first concert, I knew that it was a magical formation.”
In the summer of 2016, Lloyd reconvened the New Quartet for their first extended tour in several years. In fact, Passin’ Thru opens with the very first song performed on that tour: “Dream Weaver” recorded at the Montreux Jazz Festival on June 30 (the song was originally recorded on his first quartet’s 1966 debut album of the same name). The remaining six pieces were drawn from the band’s sublime performance at The Lensic in Santa Fe, New Mexico on July 29. Lloyd dedicated that concert, as well as this album, to the memory of his dear departed friend Judith McBean (the closing piece “Shiva Dreams” was “a prayer and meditation for her.”)
When asked why he chose to reexamine songs from his past on Passin’ Thru, Lloyd responds, “‘Passin’ Thru’ and ‘Dream Weaver’ are among my many children. They left home and came back. I left home and came back. When we visit with each other we find we have more stories to tell. As they have matured, I have too. When I go out now, I bring many more years of experience that I did not have as an idealistic young man.”
Lloyd marvels at how the New Quartet members “have spread their wings in different ways.” However, he adds, “when we come together as a unit, we find the music and love has only grown deeper. The bond of our shared experiences on and off the stage informs and expands the music. A span of 10 years covers a lot of territory, but in the time frame of the Universe, it is a mere nanosecond.”
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Down Beat *****
Chico Hamilton Trio – Chico Hamilton Trio[Blockierte Grafik: https://www2.pic-upload.de/img/33673670/ChicoHamiltonTrio.jpg]
Externer Inhalt www.youtube.comInhalte von externen Seiten werden ohne Ihre Zustimmung nicht automatisch geladen und angezeigt.Durch die Aktivierung der externen Inhalte erklären Sie sich damit einverstanden, dass personenbezogene Daten an Drittplattformen übermittelt werden. Mehr Informationen dazu haben wir in unserer Datenschutzerklärung zur Verfügung gestellt.
Hamilton left the Mulligan group in 1953 to once again go with Lena Home, who could offer a more attractive salary to the drummer. (By now Chico had the responsibilities of a wife and two children.) Later that same year, however, came an opportunity that would lead directly to the formation of the Chico Hamilton Quintet. No doubt in part as an acknowledgment by Pacific Jazz owner Richard Bock of Chico's contribution to the formation and success of the Mulligan Quartet, Bock offered Hamilton his own recording opportunity. Chico formed a trio for the occasion, with his section-mate in the Lena Home orchestra, bassist George Duvivier, and the young (and at the time unknown) guitarist Howard Roberts. Recorded in December of 1953, the trio album was an instant success for Pacific Jazz, garnering a five-star review in Down Beat and instantly launching the jazz career of Howard Roberts. The album's popularity also got Chico to thinking about forming his own group.
http://jazzprofiles.blogspot.d…ilton-quintet-robert.html
https://www.discogs.com/de/Chi…lton-Trio/release/2529084
Grüße
Jörg -
entsprechend folgt
Howard Roberts – Mr. Roberts Plays Guitar
[Blockierte Grafik: https://www2.pic-upload.de/img/33673830/MrRoberts.jpg]Externer Inhalt www.youtube.comInhalte von externen Seiten werden ohne Ihre Zustimmung nicht automatisch geladen und angezeigt.Durch die Aktivierung der externen Inhalte erklären Sie sich damit einverstanden, dass personenbezogene Daten an Drittplattformen übermittelt werden. Mehr Informationen dazu haben wir in unserer Datenschutzerklärung zur Verfügung gestellt.Jazz Guitar Stylings of Howard Roberts
https://www.discogs.com/Howard…ys-Guitar/release/3389041Grüße
Jörg
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Dave Brubeck - Jazz Goes To College
Die MOV Ausgabe ist solide, genau wie die
Musik auch.
Aber völlig vom Hocker haut mich diese Produktion auch beim zweiten
Durchgang "noch" nicht.
Grüße
bob
Veto Bob, Desmonds lyrische Spielweise ist einfach nur schön wie der Sound of a Dry Martini
[Blockierte Grafik: https://www2.pic-upload.de/img/33674533/Brubeck.jpg]Externer Inhalt www.youtube.comInhalte von externen Seiten werden ohne Ihre Zustimmung nicht automatisch geladen und angezeigt.Durch die Aktivierung der externen Inhalte erklären Sie sich damit einverstanden, dass personenbezogene Daten an Drittplattformen übermittelt werden. Mehr Informationen dazu haben wir in unserer Datenschutzerklärung zur Verfügung gestellt.Externer Inhalt www.youtube.comInhalte von externen Seiten werden ohne Ihre Zustimmung nicht automatisch geladen und angezeigt.Durch die Aktivierung der externen Inhalte erklären Sie sich damit einverstanden, dass personenbezogene Daten an Drittplattformen übermittelt werden. Mehr Informationen dazu haben wir in unserer Datenschutzerklärung zur Verfügung gestellt.Grüße
Jörg
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José James – The Dreamer
[Blockierte Grafik: https://img.discogs.com/6ZLU3uDPH8QnozhV3IR3f3Jt8bQ=/fit-in/600x598/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-7473627-1442186824-9222.jpeg.jpg]
Brownswood Recordings – BWOOD026LPB. UK, 2015.
Warnung vor dieser Pressung! Reissue der Originalausgabe auf dem gleichen Label von 2008. Weiß nicht, ob letztere sorgfältiger gepresst ist. Dickes Schüssel-Vinyl, Kratzer, Störgeräusche, stellenweise heftige Zischeleien. Typischer Pfusch halt.
Schade drum. Die Musik ist angenehm. Naja, es liegt ja ein Download-Code anbei.
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Ahmad Jamal – Ahmad Jamal's Alhambra
[Blockierte Grafik: https://www2.pic-upload.de/img/33685707/Jamal.jpg]Externer Inhalt www.youtube.comInhalte von externen Seiten werden ohne Ihre Zustimmung nicht automatisch geladen und angezeigt.Durch die Aktivierung der externen Inhalte erklären Sie sich damit einverstanden, dass personenbezogene Daten an Drittplattformen übermittelt werden. Mehr Informationen dazu haben wir in unserer Datenschutzerklärung zur Verfügung gestellt.
Alhambra
https://www.discogs.com/master/view/190545
GrüßeJörg
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Woody Shaw – The Moontrane
oft verglichen mit Hubbard, für mich einer der besten Trompeter des Postbop.
[Blockierte Grafik: https://www2.pic-upload.de/img/33686352/ShawMoontrane.jpg]Externer Inhalt www.youtube.comInhalte von externen Seiten werden ohne Ihre Zustimmung nicht automatisch geladen und angezeigt.Durch die Aktivierung der externen Inhalte erklären Sie sich damit einverstanden, dass personenbezogene Daten an Drittplattformen übermittelt werden. Mehr Informationen dazu haben wir in unserer Datenschutzerklärung zur Verfügung gestellt.
https://www.allaboutjazz.com/t…rt-spencer.php?width=1680
https://www.discogs.com/Woody-…Moontrane/release/4644909
Grüße
Jörg -
[Blockierte Grafik: https://media3.jpc.de/image/w600/front/0/0602557649888.jpg]
May 26 2017
On July 14, saxophonist, flutist, composer, and jazz mystic Charles Lloyd will release his latest Blue Note offering, Passin’ Thru, a passionate live recording that marks the 10th anniversary of his acclaimed and enduring New Quartet featuring pianist Jason Moran, bassist Reuben Rogers, and drummer Eric Harland, a simpatico unit that teems with intuition, contemplation and playfulness. The album is a dynamic seven-song collection of Lloyd compositions old and new including the swinging and gleeful title track “Passin’ Thru” (first recorded in 1963 when Lloyd was a member of the Chico Hamilton Quintet), which is available today to download or stream.
Lloyd formed his first quartet in 1965 featuring soon-to-be jazz stars pianist Keith Jarrett, bassist Cecil McBee and drummer Jack DeJohnette. Throughout his career he has returned to the quartet format, but he considers his New Quartet formed a decade ago “a landmark group nonpareil.” He elaborates: “It’s a small planet, and we are just passing through on our journey to One. Every now and then there are important intersections. This quartet with Jason, Reuben and Eric coalesced very organically in April 2007. From the notes of our first concert, I knew that it was a magical formation.”
In the summer of 2016, Lloyd reconvened the New Quartet for their first extended tour in several years. In fact, Passin’ Thru opens with the very first song performed on that tour: “Dream Weaver” recorded at the Montreux Jazz Festival on June 30 (the song was originally recorded on his first quartet’s 1966 debut album of the same name). The remaining six pieces were drawn from the band’s sublime performance at The Lensic in Santa Fe, New Mexico on July 29. Lloyd dedicated that concert, as well as this album, to the memory of his dear departed friend Judith McBean (the closing piece “Shiva Dreams” was “a prayer and meditation for her.”)
When asked why he chose to reexamine songs from his past on Passin’ Thru, Lloyd responds, “‘Passin’ Thru’ and ‘Dream Weaver’ are among my many children. They left home and came back. I left home and came back. When we visit with each other we find we have more stories to tell. As they have matured, I have too. When I go out now, I bring many more years of experience that I did not have as an idealistic young man.”
Lloyd marvels at how the New Quartet members “have spread their wings in different ways.” However, he adds, “when we come together as a unit, we find the music and love has only grown deeper. The bond of our shared experiences on and off the stage informs and expands the music. A span of 10 years covers a lot of territory, but in the time frame of the Universe, it is a mere nanosecond.”
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[Blockierte Grafik: https://media3.jpc.de/image/w600/front/0/0602557649888.jpg]Alles anzeigen
May 26 2017
On July 14, saxophonist, flutist, composer, and jazz mystic Charles Lloyd will release his latest Blue Note offering, Passin’ Thru, a passionate live recording that marks the 10th anniversary of his acclaimed and enduring New Quartet featuring pianist Jason Moran, bassist Reuben Rogers, and drummer Eric Harland, a simpatico unit that teems with intuition, contemplation and playfulness. The album is a dynamic seven-song collection of Lloyd compositions old and new including the swinging and gleeful title track “Passin’ Thru” (first recorded in 1963 when Lloyd was a member of the Chico Hamilton Quintet), which is available today to download or stream.
Lloyd formed his first quartet in 1965 featuring soon-to-be jazz stars pianist Keith Jarrett, bassist Cecil McBee and drummer Jack DeJohnette. Throughout his career he has returned to the quartet format, but he considers his New Quartet formed a decade ago “a landmark group nonpareil.” He elaborates: “It’s a small planet, and we are just passing through on our journey to One. Every now and then there are important intersections. This quartet with Jason, Reuben and Eric coalesced very organically in April 2007. From the notes of our first concert, I knew that it was a magical formation.”
In the summer of 2016, Lloyd reconvened the New Quartet for their first extended tour in several years. In fact, Passin’ Thru opens with the very first song performed on that tour: “Dream Weaver” recorded at the Montreux Jazz Festival on June 30 (the song was originally recorded on his first quartet’s 1966 debut album of the same name). The remaining six pieces were drawn from the band’s sublime performance at The Lensic in Santa Fe, New Mexico on July 29. Lloyd dedicated that concert, as well as this album, to the memory of his dear departed friend Judith McBean (the closing piece “Shiva Dreams” was “a prayer and meditation for her.”)
When asked why he chose to reexamine songs from his past on Passin’ Thru, Lloyd responds, “‘Passin’ Thru’ and ‘Dream Weaver’ are among my many children. They left home and came back. I left home and came back. When we visit with each other we find we have more stories to tell. As they have matured, I have too. When I go out now, I bring many more years of experience that I did not have as an idealistic young man.”
Lloyd marvels at how the New Quartet members “have spread their wings in different ways.” However, he adds, “when we come together as a unit, we find the music and love has only grown deeper. The bond of our shared experiences on and off the stage informs and expands the music. A span of 10 years covers a lot of territory, but in the time frame of the Universe, it is a mere nanosecond.”
Hast du schon am Freitag gepostet mit dem gleichen Text, nur das die Coverillustration vor 2 Tagen nicht von JPC kam.
Cheers
Roland
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Hallo Leute!
Eine Gregory Porter Doppel-LP, schöne Stimme, sehr gute Tonqualität.
Grüße Raphael
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Und welche Platte von Gregory Porter ist es?
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Hast du schon am Freitag gepostet mit dem gleichen Text, nur das die Coverillustration vor 2 Tagen nicht von JPC kam.
Cheers
Roland
Thanks, typical a "beginner" blunder , but I like this album so much.
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[Blockierte Grafik: https://img.discogs.com/wxKctR…-1434477082-6366.jpeg.jpg]
Don Ellis – Essence ( Pacific Jazz Records – PJ-55 )
- Bass – Gary Peacock
- Drums – Gene Stone, Nick Martinis
- Piano – Paul Bley
- Trumpet – Don Ellis
Recorded in Los Angeles over July 15-17, 1962.
Check jpc.de for a very good sounding cheap 180 gr. Jazz Workshop reissue!
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[Blockierte Grafik: https://img.discogs.com/3b-pDEeOndwOOLAwU33CjBteHlI=/fit-in/600x594/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-7078399-1501598865-3463.jpeg.jpg]
George Wallington And His Band
Dave Burns (trumpet)
Jimmy Cleveland (trombone)
Frank Foster (tenor sax)
Danny Bank (baritone sax, flute)
George Wallington (piano)
Oscar Pettiford (bass)
Kenny Clarke (drums)
Quincy Jones (arranger)
Audio-Video Studios, NYC, May 12, 1954