Moin Moin,
grad´ noch auf ´n Kaffee in Montreux ´86 und schwupps schon wieder da...
kleiner Mann ganz gross... - lässige Session
Michel Petrucciani & Wayne Shorter & Jim Hall
on Blue Note ST 81533 ´86
cu LG Horst
Moin Moin,
grad´ noch auf ´n Kaffee in Montreux ´86 und schwupps schon wieder da...
kleiner Mann ganz gross... - lässige Session
Michel Petrucciani & Wayne Shorter & Jim Hall
on Blue Note ST 81533 ´86
cu LG Horst
Eine Aufnahme vom 13. September 1953
Viele Grüße
Reinhard
Gerade im Keller entdeckt. Luftiger Big-Band-Swing, schöne Sax-Läufe. Gefällt mir gut, an einem sonnigen Sonntag-Spätmorgen.
Gust William Tsilis & Alithea With Arthur Blythe - Pale Fire (1988)
Hallo,
Jim Brock- Tropic Affair, Prof. Johnson.
Gruss Günter 000AC2CF-F616-4488-BA66-1C049ACA3ACE.jpeg
Drifter – Flow
Schöner "kontemporärer" Jazz. Das inspiriert mich dazu...
Don Wilkerson - Elder Don... in a happy latin swingin´ flow
die passenden Sidemen sind ja dabei
on Blue Note ST (8)4121 ´63
cu LG Horst
analog-forum.de/wbboard/gallery/index.php?image/136579/
dann bleib ich auch noch ein bißchen in der Gegenwart
Don Wilkerson - Preachin´
...diesmal in a bluesy groovy swingin´ mood á la Ray Charles bei dem er auch in ´54
an Bord war, dazu noch Sonny & Grant...
on Blue Note 4107 mono, ´62
cu LG Horst
zunächst etwas Lesestoff in Corona-Zeiten - ich hoffe Ihr verzeiht - aber nicht uninteressant um Tristanos Spielweise bzw. coolness im Kontext einordnen zu können.
...Tristano’s emotional coolness went against the prevailing trends of the late 1940s and 50s and Tristano did himself few favours by saying John Coltrane, Sonny Rollins and Miles Davis were, “all emotion, no feeling. Their stuff is an expression of the ego; I want jazz to flow out of the Id. Putting it another way, real jazz is what you can play before you’re all screwed up; the other is what happens after you’ve screwed up.”
"Nostalgia brings on anticipation because you know what's going to happen next. When people start to anticipate, they become intense, waiting for what they know is going to happen. And this tension feeds their neuroses. "That's why there's such a small audience for what I'm doing. What I play is so unorthodox that when you first hear it, you don't try to anticipate. You just sit there. You have to be very relaxed to start with before you put on one of my records. Consequently, people don't want to hear my sides as often as…“
Lennie Tristano: His Life in Music, Downbeat, October 6, 1950
Lennie Tristano – Descent Into The Maelstrom
https://www.discogs.com/Lennie…Maelstrom/release/4943401
Grüße
Jörg
analog-forum.de/wbboard/gallery/index.php?image/136591/
und noch was aktuelles
hard-bopping Miles auf der ersten 12“ BN (1501)
Miles Davis – Volume 1
Alto Saxophone – Jackie McLean (tracks: A5, B1 to B4, B6)
Bass – Oscar Pettiford (tracks: A5, B1 to B4, B6), Percy Heath (tracks: A1 to A4, A6, B5)
Drums – Art Blakey (tracks: A1 to A4, A6, B5), Kenny Clarke (tracks: A5, B1 to B4, B6)
Piano – Gil Coggins
Tenor Saxophone – Jimmy Heath (tracks: A1 to A4, A6, B5)
Trombone – Jay Jay Johnson*
Trumpet – Miles Davis
https://www.discogs.com/Miles-Davis-Volume-1/release/7251433
Grüße
Jörg