Lô Borges - Same
Weiter geht‘s mit den Brasilianern.
Das sind aber nicht die Allround und die Superstar in hoch auch nicht 
Grüße
Jörg
Posts by garoto
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Don Rendell Ian Carr Quintet – Shades Of Blue
Don Rendell Ian Carr Quintet – Shades Of Blue.jpg
Bass – Dave Green
Drums – Trevor Tomkins
Piano – Colin Purbrook
Tenor Saxophone, Soprano Saxophone – Don Rendell
Trumpet, Flugelhorn – Ian Carr
https://www.discogs.com/de/Don…-Of-Blue/release/13324711
Grüße
Jörg
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letzter Aufruf für alle Zuspätgekommenen.
The product Shades Of Blue is now in stock!
Cheers,
The Jazzman Records team
Grüße
Jörg
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Display More
Hi Bob, meine Aufnahme ist ein paar Jährchen älter
Charlie Parker – Vol. 2
noch ein paar Hintergrundinfos zu Earl Coleman bzw. Dark Shadows:
Die DIAL-Session 1947
Dessen Produzent Ross Russell hatte am 19. Februar 1947 eine Aufnahmesitzung mit Bird und dem Pianisten Erroll Garner anberaumt. Um den jungen, damals unbekannten Sänger zu protegieren, brachte ihn Charlie Parker einfach ins Aufnahmestudio mit – das Ergebnis war eine Trio-Session mit Garner, Parkers Quartett und die Gesangsnummern Dark Shadows (4 Takes) und This Is Always (2 Takes). Außer diesen Nummern entstanden auf dieser DIAL-Session die Parker-Stücke Birds Nest (3 Takes), Hot Blues, Blowtop Blues und Cool Blues (2 Takes).
-- Wiki
Charlie Parker – Vol. 2 1.jpg
Charlie Parker – Vol. 2 2.jpg
Ato Saxophone – Charlie Parker
Bass – Bob Kesterson (tracks: A1, A2), Red Callender (tracks: B3), Tommy Potter (tracks: A3, A4, B1, B2, B4)
Design – Pierre Merlin
Drums – Harold "Doc" West (tracks: B3), Max Roach (tracks: A3, A4, B1, B2, B4), Roy Porter (tracks: A1, A2)
Piano – Duke Jordan (tracks: A3, A4, B1, B2, B4), Erroll Garner (tracks: B3), Jimmy Bunn (tracks: A1, A2)
Trombone – Jay Jay Johnson* (tracks: B1)
Trumpet – Howard McGhee (tracks: A1, A2), Miles Davis (tracks: A3, A4, B1, B2, B4)
Vocals – Earl Coleman
https://www.discogs.com/Charlie-Parker-Vol-2/release/4071784
Grüße
Jörg
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Display MoreEtwas Jazz am Morgen. Claude Williamson Trio -
Claude Williamson war einer der am besten auf Bebop ausgerichteten Pianisten, die in den 1950er Jahren aktiv waren, sehr unterhaltsam und selbst wenn das Programm (ca. 39 Minuten) etwas kurz ist, sollte es gerade Jazzfans ansprechen. Eine Mono-Aufnahme von 1956, dies ist eine Re-Issue von 1992 der Nippon Columbia.
Viele Grüße
Reinhard
bei mir jetzt auch, West Coast Sounds mit
Bud Shank Quartet Featuring Claude Williamson
Bud Shank Quartet Featuring Claude Williamson1.jpg
Bud Shank Quartet Featuring Claude Williamson2.jpg
Alto Saxophone, Flute – Bud Shank
Bass – Don Prell
Drums – Chuck Flores
Piano, Celesta – Claude Williamson
https://www.discogs.com/Bud-Sh…illiamson/release/4093472
Grüße
Jörg
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britische Institution
The Style Council – Home & Abroad
The Style Council – Home & Abroad.jpg
Grüße
Jörg
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Yes who is Harry Lookofsky? Well:
Artist Biography by Jason Ankeny
Violinist Harry Lookofsky bridged the technical rigors of classical music with the phrasing and rhythms of bebop to create Stringsville, one of the truly singular jazz recordings of its era. He is also known to contemporary audiences as the father of Michael Brown, the creative force behind the pioneering orchestral pop group the Left Banke. Born October 1, 1913 in Paducah, KY, Lookofsky begin his violin studies at age eight, receiving his formal training in St. Louis -- in his early teens he toured the vaudeville circuit as a part of a small jazz orchestra, modeling his nascent approach on pioneering violinist Joe Venuti. Lookofsky joined the St. Louis Symphony Orchestra in 1933, remaining a member of their ranks for five years before relocating to New York City to sign on with famed conductor Arturo Toscanini's NBC Symphony Orchestra. Although classical music continued paying his bills, Lookofsky frequently returned to his jazz roots, emerging as one of the bebop era's first and most accomplished violinists -- at times he even played tenor violin, an instrument he cited for its tonal similarities to the tenor saxophone. In 1954, when Toscanini retired, Lookofsky moved over to ABC, where he served for years as concertmaster -- by this time, he was also a fixture on New York City jazz sessions, recording in support of Coleman Hawkins, Sarah Vaughan, Ben Webster, and Donald Byrd. Backed by bassist Oscar Pettiford and drummer Charlie Swift, Lookofsky headlined the Epic session Miracle with Strings, the first recording to feature his signature overdub aesthetic, a technique that enabled him to play multiple instruments at once. These studio innovations reached their apex on the 1958 Atlantic date Stringsville: Recorded in collaboration with arrangers Bob Brookmeyer and Hank Jones as well as bassist Milt Hinton and drummer Elvin Jones, the album captures some of the most remarkably lyrical and imaginative bowing ever recorded. But because Lookofsky's overdubbed violin and viola solos are so carefully composed, in direct contrast to the improvisational ethos so dominant in bebop theory, Stringsville was effectively written out of the official history of jazz, never earning the acclaim it richly deserves. Lookofsky remained an in-demand studio player throughout the '60s, backing everyone from Tony Bennett to Wes Montgomery to Gil Evans. In 1966, he also produced the sessions that yielded the Left Banke's pop classic "Walk Away Renee," negotiating the group's contract with Smash Records as well. Lookofsky spent the autumn of his career focusing on television jingles, but remained an active session contributor through the mid-'80s. He died of prostate cancer on June 8, 1998 at the age of 85.
found another one
Astrud Gilberto – I Haven't Got Anything Better To Do
Astrud Gilberto – I Haven't Got Anything Better To Do.jpg
https://www.discogs.com/Astrud…ter-To-Do/release/2646294
Grüße
Jörg
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Trentemøller – The Last Resort
Trentemøller – The Last Resort.jpg
und hier mit reeds,
2017 haben die das Puls Festival gerockt:
https://www.br.de/mediathek/vi…:5cd00adf31b3500019a14042
Grüße
Jörg
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einmal darauf eingelassen, komm ich von dem monkschen Gehämmere nicht mehr los
Milt Jackson – Wizard Of The Vibes
Milt Jackson – Wizard Of The Vibes 1.jpg
Milt Jackson – Wizard Of The Vibes 2.jpg
Alto Saxophone – Lou Donaldson (tracks: A1, B2, B3), Sahib Shihab (tracks: A3, B4)
Bass – Al McKibbon (tracks: A3, A4, B4), Percy Heath (tracks: A1, A2, B1 to B3)
Drums – Art Blakey (tracks: A3, A4, B4), Kenny Clarke (tracks: A1, A2, B1 to B3)
Piano – John Lewis (2) (tracks: A1, B2, B3), Thelonious Monk (tracks: A3, B4)
Vibraphone [Vibes] – Milt Jackson
https://www.discogs.com/Milt-J…The-Vibes/release/5638927
Grüße
Jörg
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Miles Davis – Miles Davis And The Modern Jazz Giants
Miles Davis And The Modern Jazz Giants 1.jpg
Miles Davis And The Modern Jazz Giants 2.jpg
Bass – Paul Chambers (3) (tracks: B1), Percy Heath (tracks: A1, A2, B2, B3)
Drums – Philly Joe Jones* (tracks: B1), Kenny Clarke (tracks: A1, A2, B2, B3)
Piano – Red Garland (tracks: B1), Thelonious Monk (tracks: A1, A2, B2, B3)
Tenor Saxophone – John Coltrane (tracks: B1)
Trumpet – Miles Davis
Vibraphone – Milt Jackson (tracks: A1, A2, B2, B3)
https://www.discogs.com/Miles-…zz-Giants/release/3629720
Grüße
Jörg
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Achim, die sollte noch zwingend auf Deine Dissonanz-Liste
Miles Davis – Bags Groove
Miles Davis – Bags Groove 1.jpg
Miles Davis – Bags Groove 2.jpg
Miles Davis – Bags Groove 3.jpg
Bass – Percy Heath
Drums – Kenny Clarke
Piano – Horace Silver (tracks: B1 to B5), Thelonious Monk (tracks: A1, A2)
Tenor Saxophone [Tenor Sax] – Sonny Rollins (tracks: B1 to B5)
Trumpet – Miles Davis
Vibraphone – Milt Jackson (tracks: A1, A2)
https://www.discogs.com/Miles-…gs-Groove/release/3985122
Grüße
Jörg
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Display More
Hal McKusick – Cross Section-Saxes
Label:
Decca – DL 9209
Series:
Series J 9200 – Format:
Vinyl, LP, Promo, Mono
völlig unterbewertet bzw. einer der Jazz Musician’s Musician
Hal McKusick – Cross Section-Saxes
Hal McKusick – Cross Section-Saxes.jpg
mit so illustren Teilnehmern wie
Paul Chambers, Bill Evans, Art Farmer, Connie Kay
hört rein:
Grüße
Jörg
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Sonny Rollins – The Bridge
Sonny Rollins – The Bridge 1.jpg
Sonny Rollins – The Bridge 2.jpg
Sonny Rollins – The Bridge 3.jpg
Die RCA orange label with white outline font; RVC Corporation, Tokyo schlägt sich ganz gut
Sonny Rollins – The Bridge 4.jpg
Bass – Bob Cranshaw
Drums – Ben Riley
Guitar – Jim Hall
Tenor Saxophone – Sonny Rollins
https://www.discogs.com/Sonny-…he-Bridge/release/9053170
bzw.
https://www.discogs.com/Sonny-…he-Bridge/release/2485191
Grüße
Jörg
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Display MoreVielen Dank Jörg!
Kann jemand generell etwas zum ORG Reissue-Label sagen. Gepresst wird wohl bei Pallas, was ich positiv sehe. Und wo, wie ist ORG zu bestellen. ORG und ORGmusic ist das identisch?
Da gibt es z.B. The Bridge von Sonny Rollins. Die hätte ich gerne
Hoffe nicht zu nerven!
Liebe Grüße Achim
ORG bzw. ORGmusic Pressungen habe ich nicht, aber frag doch mal google bzw. forums.stevehoffman.tv.
https://forums.stevehoffman.tv…-the-bridge-vinyl.316697/
https://forums.stevehoffman.tv…od-vinyl-reissues.243125/
https://www.analogplanet.com/c…e-two-different-companies
Grüße
Jörg
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und die 54er Piano Solo gehört auch noch zum Pflichtprogramm, muss nicht zwingend die Swing Pressung sein
https://www.discogs.com/Thelon…iano-Solo/release/1699666
Grüße
Jörg
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